I have a bone to pick with Young Adult authors. This has been burning a hole in my brain for quite some time, so I apologize in advance if I get a little persnickety. Here it goes …

WHY DO YOU FEEL THE NEED TO CHANGE THE POINT OF VIEW IN THE LAST BOOK OF A SERIES??????

Shouty capitals may seem rude and  uncalled for, but I’m down to my last nerve on this irritating literary trend. For the record, I’m not just asking this question as a reader, but also as a writer of YA Fantasy. Personally, I would never pull this trick on my readers as most of the time it isn’t necessary.

I should point out that the device of changing the point of view has always bothered me no matter the genre, but I’ve reached a new of level aggravation due to its use in several Young Adult series.  I don’t mind small instances of shifting points of view in a prologue  or epilogue, but my brain explodes when the concluding book in a series breaks a previously established point of view.  Why write an entire series from one point of view and then suddenly switch it up at the end? It makes no sense!

I’m a long time reader of multiple book series, mainly in the paranormal and fantasy divisions. Even though I’m an adult, I’m still a teenager at heart and I love YA books. The authors of these books deserve huge snaps for vivid and creative storytelling, but I’m finding myself more and more leery of picking up a new series because I fear what will happen with the last book of the series.  From some untold reason, this is when authors decide to rob me of my favorite characters!

My frustration apexed when my phobia of changing points of view kicked into gear twice over the last month. First, with Veronica Roth’s Divergent series and second with Kami Garcia and Margaret Stohl’s Beautiful Creatures series. Before I go on my rant, I do want to point out that these are very talented writers, I just happened to disagree with their tactics.

There are a number of reasons why Roth’s Divergent series is on my poop list, but my heart sank when I read the inside flap and found out Allegiant was written with a dual point of view. I decided to stick it out because I loved the first two books, but the sudden change in format really irked me for two reasons:

1. I loved the main character and didn’t like being pulled from her head.

2. A little critical thought on why Roth chose a dual point of view format gave away a major plot point. Before I was done reading the first chapter, I knew who was going to die. Cue my broken heart.

When I picked up the last book in my most recent favorite series, Beautiful Creatures, I was devastated to find it was divided into a dual perspective. What? Are you kidding me? I spend three books entrenched in the charming Ethan Wate’s head and you’re going to make me leave him? Not cool. Lena Duchannes might be one awesome chick, but she is more intriguing through Ethan’s eyes.

Even my favorite series of all time contains the dreaded change in point of view. Imagine my horror when I opened Twilight: Breaking Dawn and realized I was stuck in Jacob’s head instead of Bella’s. It was torture and I’m still mad I had to spend so much time with a character I detested. Stephenie Meyer, I love you, but why spend three books developing Bella’s point of view only to rip it away from your readers?

There are many more guilty series, but it all comes down to the same thing: Why change a good thing? When a series progresses with each book written in one point of view, it’s only logical to retain the same point of view through the last book. After two or three books with one character, readers stick around because of love for the character and a relationship of trust with that character’s perspective. When the last book shifts into someone else’s head it fractures the reader/character dynamic.

While fiction writing is all about trying new things and shaking up reality, there is something to be said for maintaining a sense of order within a series. Let me walk through the story by the side of a character I’ve come to know and love. Please don’t force me to wonder what she’s thinking as her story comes to a close. Readers deserve to complete the journey in the same way it began. Anything less feels like betrayal.

- – -

c.b.w. 2014

About these ads