Book Inscription Mystery Solved!

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When I posted Book Inscriptions to Ponder, I was hoping to clear up some of the confusion caused by messy handwriting from more than a century ago. Two inscriptions remain a bit mysterious, but one of them has been cracked! Better still, the most difficult script to read is the one that’s been translated.

It pays to have a friend that works with historical documents. Her expertise with handwritten documents and more importantly with archaic cursive allowed her to pick apart the often confusing inscription from my 1847 Edition of Six Day’s Wonder (American Sunday School Union).

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The year, 1847, was the first clue. Part of what made this inscription so difficult to read was not only the scribbled cursive, but the irregular spelling. The concept of a speller and later a dictionary didn’t materialize until 1783 and 1828 respectively. From there spelling standards were gradually implemented, which means irregular spelling was commonplace throughout the late 19th and early 20th centuries.

In this particular example, Israel is sometimes spelled with an “E” and bullet may be “bullock.” It’s hard to know for sure, but its as good a guess as any. However, these two irregularities allowed my friend to see the connection to Bible verses from Genesis and Kings.

From there, she was able to piece together a pretty good translation of the script:

… now therefore send to all the parts of Israel and gather (400?) and the people answered not a word and all the people and (the?) they took the bullet (bullock?) and dress it and they called to “se”

Elija (Elias?) said come unto me Israel shall be thy name and he put the bullet how He soiled the God requested that he might die

an angel came and touched him and said rise eat and drink for the journey is great to Isreal …

There are still a few kinks to work out, but with this translation resting next to the original it’s easy to see how it all lines up. Furthermore, we noticed there are a number of pages missing between the page on the left and the right. Who knows what was written to connect these two sides together!

Ah, the fun of old books!

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All credit for this translation goes to my good friend, Rita Ackerman. You can visit her on either of her two blogs to see what she’s up to as a writer, historical researcher, and genealogist:

Rita Ackerman

Tattered Past

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c.b.w. 2016

Book Inscriptions to Ponder

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Book inscriptions have long fascinated me and are often the deciding factor in whether I purchase an old, beat up book. Most of my “antique” books are falling apart with brittle pages and water damaged covers. Nothing about them is valuable in the monetary sense, yet they are priceless to me because of what is written on the inside.

Faded ink and fancy script piques my curiosity and adds an element of humanity to an old relic. There are names, years, notations, greetings, and sometimes objects stuffed between the pages. People I’ve never met left a piece of themselves behind and that somehow creates a connection. These old books are almost a portal between the present and a long forgotten past.

I first documented my love of inscriptions a few years back, (see Beautiful Book Inscriptions). With the focus mostly on elegant script or heartwarming stories, there wasn’t much room for the more mysterious books on my shelf. Sometimes the inscription is so confusing or difficult to read, I’m inclined to add it to my collection so I can figure it out!

The three books that follow have some of the more curious inscriptions. The inscriptions aren’t the stuff of mystery novels, but they do make me wonder about the people who wrote them.

The Prince by Niccolo Machiavelli, Translated by W.K. Marriott, 1916 Edition (Everyman’s Library, J.M. Dent & Sons, Ltd.)

The back cover of this edition includes a list that directly quotes parts of The Prince or offers cryptic notations about the text. The entire book is marked up as if it was used by a student. Passages are underlined and countless notes are scribbled in the margins. Within the pages I found a pressed maple leaf. I can’t help but wonder who left behind such detailed and thoughtful notes. Was it the same person who saved the leaf or was that someone else down the line?

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Six Day’s Wonder, American Sunday School Union, 1847 Edition

Every blank space in the front and back covers is filled with very messy cursive writing. I can’t read half of it, but given the topic of the book and several mentions of God in the script, it’s most likely religious. The question is whether it’s contemplative, reactionary, summative or philosophical. The writing almost looks hurried and feverish as if this person could not write fast enough. Something was in this person’s head and they just had to get it out before it was gone. Also intriguing is the handwritten notation (in a different script) of an organization’s ownership of the book.

If anyone wants to take a crack at deciphering the script, leave your thoughts in the comments!

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Inside Front cover

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Inside Back Cover

English and Scottish Popular Ballads, by R. Adelaide Witham, 1909 Edition, The Riverside Press

The inside cover of this little gem is particularly perplexing in that it includes the names of two owners (which isn’t odd at all), but also a list that includes the title of the book itself, (which is curious). All I’ve been able to find out is the names listed are editors of poetry and ballad compilations for student reading. Perhaps one of the owners of this book was creating a shopping or reading list.

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Then, of course, are the stories lost to time. Banged up corners, missing pages, and ripped binding all have something to say. Someone a century ago dropped it on the floor or spilled a glass of water. Subtle little mysteries live inside every old book.

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c.b.w. 2015

Favorite Thing Friday: Ichabod Crane

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Oh, the things I find on Hulu. After catching up on Arrow, The Goldbergs, and Grimm, I found myself in the predicament of having nothing to watch while I grade papers. I’d heard good things about Sleepy Hollow, so I decided to give it  a shot. Within five minutes, I was completely hooked.

While the premise is intriguing (the show is a loose interpretation of Washington Irving’s classic The Legend of Sleepy Hollow), the character of Ichabod Crane and the brilliant actor who plays him (Tom Mison) are what truly captured my TV heart.

I’m only six episodes into the first season, so I know I may be claiming him as a TV boyfriend a bit early in the game, but I can’t help myself. And here are 10 reasons why:

1. He is literally a piece of living history. In the first episode, he “died” during the Revolutionary War and then woke up in 2014. The man rattles off Colonial and Revolutionary War history like an encyclopedia, but with the sensibility of someone who lived through it. The history teacher in me is swooning, (as the rest of me is fact-checking).

2. While he is a man stuck far away from his own time, he is surprisingly objective in dealing with his surroundings. Rather than panic, he explores the modern era with the mind of an academic or scientist. It’s fascinating to watch him mesh his knowledge of life in the past with his existence in the present.

3. He has a proper British accent. Need I say more?

4. Perhaps, he’s not everyone’s cup of tea, but he’s pretty easy on the eyes.

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5. He says stuff like this … (in reference to what eventually becomes a Headless Horseman)

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6. And this …

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7.  Despite everything, he doesn’t forget who he is. Modern life doesn’t rob him of his manners, personality, or morals. Even when those things don’t jive with modern civilization, he refuses to let them go. I’m still wondering if he’s going to change out of those 18th century clothes!

8. At the same time, he’s not afraid to try new things. Like doughnut holes.

9. According to him, he instigated the Boston Tea Party (as a means for a diversion for a secret mission).

10. He can speak German and Middle English. Beautifully.

I’m sure I’ll have more to add to this list after the next six episodes.:-)

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What’s your favorite thing this week?

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c.b.w. 2014