After four months, I’ve finally worked through all of my editor’s comments and my list of revision notes for The Muse. While the process took longer than I would have liked, I’m still basking in the accomplishment of reaching the finish line.
As I look back, I can’t help but laugh at myself a bit. When I first started this project, I thought I had a polished manuscript with my Third Draft. Ha! They say ignorance is bliss, but in this case it’s a first class ticket to the slush pile. After reading a little more about the publishing process, I had the good sense to realize I had A LOT more work to do!
I got brave with my Fifth Draft and sent query letters to five agents. Looking back I probably jumped the gun a little bit, but I still got responses from all five. Even though those responses were rejections, the fact that they took any time at all to answer me told me I had something worth pursuing. After some reflection, I figured out two things: 1. I needed an editor. 2. I needed to research agents on a deeper level.
Hiring an editor turned out to be the best thing I could’ve done for my novel. The particular editor I hired turned out to be the best thing I could’ve done for me as a writer. Not only did my novel go from an okay piece of work to a beautifully polished novel, but I got some serious insight into my strengths and weaknesses as a writer.
My editor, Kristen Fairgrieve, has an eagle eye for grammatical and word usage errors, but also for plot holes. I’m not going lie – there were a lot of grammar issues and a few plot holes. Not to mention superfluous sentences and paragraphs that she painstakingly condensed. Even now I sit in amazement at how she whipped my manuscript into shape!
While she fixed the majority of this issues plaguing my work, there were a few things that only I could address. Instead of offering a quick fix, she asked me questions or made comments to make me think. When it was all said and done, I probably spent more time thinking than I did typing. The process was enlightening and forced me to consider my characters and plot line with a new perspective. In many ways, Kristen showed me what me readers might be thinking as they work their way through the story.
So now comes the tricky part: getting published. In the midst of thinking and editing, I researched agents who might be interested in The Muse as well as self-publishing options. At the moment, I’ve pegged nine agents who might be responsive to a query package. I selected them by digging around in directories and checking the acknowledgment pages in YA books with a similar theme to The Muse.
My query letter has gone through several drafts, but I think I’ve finally got something that represents my novel in terms of voice and selling points. My ducks are all in a row, which means there’s only one thing left to do – Get brave and query!
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