Poem A Day: November 1-3

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As I work my way through the Writer’s Digest 2013 November Poem A Day Chapbook Challenge, I’ll be posting my submissions in groups of two or three. However, I am holding true to the idea of writing a poem each day, rather than playing catch up all the time.  So far, the prompts are forcing me to play with words and ideas in different ways. My poetic muse is definitely feeling the push to try new things.

November 1, 2013
Prompt: Someone or something appearing out of nowhere

November 2, 2013
Prompt: News of the day

November 3
Prompt: The last time I was here . . .

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c.b.w. 2013

Have You Ever Considered the Lobster?

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David Foster Wallace looks at the world with a unique perspective that combines curiosity with sarcasm and wit. In his collection of essays entitled Consider the Lobster, he explores everything from politics, grammar, and ethics with an incredibly sharp eye and an even sharper pen. All ten essays are phenomenal, but a few stand out because they literally make the pathways in my brain change direction.

Wallace is at his most hysterical in an essay entitled, “Authority and American Usage.” In this article, he decides to explore and debate the “dictionary wars.” Did you ever stop to wonder just who is the authority of the English language? Who decides how to properly use words and punctuation? The truth is, there is no official organization that sets the ground rules; there are just a bunch of “experts” that argue relentlessly through the reference books they write and publish. This sets the stage for Wallace to air his grievances with the system (or lack thereof). He delves into the question of what truly defines langauge and the “rules” attached to it. What follows is a fascinating foray into the sub-culture of SNOOTS (Sprachgefühl Necessitates Our Ongoing Tendance or Syntax Nudniks of Our Time),  the fine art of writing, how languages change over time, and why the rules exist in the first place. Even though Wallace himself is a SNOOT, he is infinitely curious on why he is such a stickler to the rules. In an effort to answer this question he investigates how language works both with and without the rules and how culture, class, and academia influence and in some cases “control” the accepted language rules. Most interestingly, he explores why most people don’t care about grammar. While the topic of grammar is usually considered quite boring, this is where Wallace is at his best. His wit and humor makes the bland study of words and punctuation entertaining, especially when his temper gets the best of him. Wallace doesn’t like to be wrong!

“The View from Mrs. Thompsons” is a tender, realistic, and touching account of 9/11. While a wholly individual memoir of the event, the emotive sense of the piece exemplifies what it was like to be an American on that day. No matter who you are where you were, Wallace has your words. At the same time, he puts out a challenge to view that day in a new light — there is more than one America out there and Wallace wonders which one we all see.

In “Up, Simba” Wallace functions as a reporter for Rolling Stone as he tags along with the John McCain campaign of 2000. The focus is on McCain’s political ideas, but Wallace also takes the time to explain the more technical aspects of campaigning. In particular, how the camera and sound guys work and how different media personnel relate (or not) to one another. Wallace is a keen observer of the mundane, everyday facets that surround him, which is part of what makes him a unique writer. Even the boring can be interesting if viewed through a certain lens. Aside from the technical crew, he also finds himself drawn to McCain’s honesty. He wonders if that honesty is real or created. Thus begins an investigation of how marketing ties into campaigns and how that might be why Young Voters avoid the polls and why people don’t trust politicians. Voters these days know the game as they are inundated with ads and manipulated every day by every industry on the planet including Capitol Hill. Even if a politician tells the truth, most people are so jaded they can’t really be sure it’s the honest truth. Is there even a such thing as the total truth these days? Now there’s something to ponder.

Lastly, in the title essay “Consider the Lobster,” Wallace visits a lobster festival in Maine. Where most people would soak in the local flavor and bask in tourist traps, Wallace walks in thinking of the lobster. Not as a meal, but as a sentient entity. As he stands in front of the largest lobster cooker in the world, his mind begins to ponder a deeply moral and ethical question: Do lobsters feel pain when they are being boiled alive? It seems like a simple question, but it leads to other issues regarding food production and consumption. He posits that there is a disconnct between people and the animals they eat. We don’t like to think about the animal where meat comes from or whether the lobster getting thrown into a boiling vat of water can consciously feel pain. Have we lost our compassion or are we simply kings of the food chain? With this unique perspective, Wallace offers a thought provoking take on the old adage “You are what you eat.”

Wallace likes to hang out in left field in everything he writes.  He often sparks debate, but he always fuels the fire of independent thought and consideration.  The lobster never had a better advocate.

c.b. 2011