It all started with a journal and a goal. The journal had been sitting on my shelf for quite some time – I was saving it for something special as it had a gorgeous suede cover embossed with maple leaves. The goal came from a newfound love of haiku that started with haikubes and grew to an all out obsession after participating in a poem-a-day challenge.
When I realized writing haiku was a full-blown passion, I decided to fully immerse myself in the practice. That meant writing at least one haiku every single day. Suddenly my beautiful suede journal had a purpose!
While it sounds easy enough to write three lines (or less) of poetry each day, the comes with its fair share of challenges. In September 2014, I started the process by using haikubes, but quickly found it was very time consuming and didn’t always lend itself to what I wanted to express.
So, I started looking out my window, where I found loads of inspiration from the birds, changing sunlight, and weather. From there, I simply focused my lens of observation anywhere I happened to be. I have haikus scribbled on napkins, typed on my cell phone, and written on the back of receipts. There are little moments happening all the time and the practice of haiku has helped me open my eyes to see them.
Hungry for more, I sought more inspiration and found it on National Haiku Writing Month’s Facebook page. While February is technically the official Haiku Writing Month, the organization offers daily prompts during every month. While challenging, the prompts allowed me to dig even deeper into my haiku writing practice. So deep in fact, I started writing well outside the traditional 5-7-5 format.
The jump from 5-7-5 to contemporary haiku was a big one, but I don’t regret it. While the rules are a bit more relaxed, the challenge remains in place. Instead of 17 total syllables, I aim to keep my haiku at 12 syllables or less. This decision in itself made me realize how far my evolution has gone – instead of adhering to strict guidelines, I am finding my own voice and rules within the established form. I’m not afraid to be myself and experiment.
My most recent shift in haiku occurred recently. Reading contemporary English-language haiku opened up a new format called monoku or single line haiku. One line captures all the essential elements of haiku and is usually under 10 syllables. While simple, it is also incredibly difficult. That said, I am fascinated by this form and will continue to play with it.
On October 9, 2015, my haiku journal project was completed. I filled every page (front and back) with haikus I felt were the best I could make them (so many more remain in draft form in my “brainstorming” journals). All told, my journal holds 880 haikus. Upon reflection it is quite astounding to see where I started and where I ended up in terms of form, style, and technique.
Even after 880 haikus, I feel like I’m just getting started. Hence, the start of a new project – another journal is prepped and ready to go. Between the personal satisfaction and inklings of publication (local and online journals) my haiku practice has brought me, all I want to do is write more. Whether it’s the traditional 5-7-5 or ultra-modern monoku, I am anxious to see what another year of haiku will bring.
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